Ai Weiwei on free speech and the fragility of civilisation: ‘Democracy is a failed joke’ – Independent
Ai versus AI – Prospect Magazine
Breaking Lines: Futurism and the Origins of Experimental Poetry review – the beauty of art made by typewriter – The Guardian
Hiroshi Sugimoto at Lisson Gallery – Artillery
‘Sean Scully: Duane Street, 1981-1983’ Review: Painting Outside the Lines – Wall Street Journal
Sean Scully: Duane Street, 1981–1983 – The Brooklyn Rail
What even is English painting, anyway? – Prospect Magazine
Dexter Dalwood: English Painting – ArtMonthly
Olga de Amaral — the 92-year-old artist who weaves with gold –The Times
'Olga de Amaral Renders Delicate Threads Emphatically Monumental' – Art in America
Yu Hong’s moment in the Western market has finally arrived – The Art Newspaper
What Is the Sound of a Teardrop? You Can Hear It at MoMA – The New York Times
Joanna Pousette-Dart: Centering – The Brooklyn Rail
Josh Kline: Social Media – The Brooklyn Rail
'Seeds of change: Garrett Bradley in conversation with an anonymous adherent of Earthseed' - Artforum
Josh Kline: “We’re in a moment where the art market has engulfed the art world” – Plaster Magazine
Joanna Pousette-Dart by Shirley Kaneda – BOMB Magazine
'Otobong Nkanga: What Are You Going to Do?' – ArtReview
'The Elemental Pull of Otobong Nkanga' – Frieze Magazine
'Josh Kline Asks, ‘Is This the Future You Want to Live In?’' – Ocula
'Shirazeh Houshiary | No Borders, No Boundaries' – Flaunt Magazine
'Hugh Hayden: An Artist with Sharp Edges' - The New York Times
Sean Scully Is an Art Star, but He ‘Won’t Bend the Knee for Anyone' – The New York Times
'An Egyptian Artist Mesmerizes in Venice With an Opera and a Donkey' – The New York Times
'Multiple lives, one John Akomfrah' – Prospect Magazine
'Jack Pierson’s Seductive Ode to the Queer Community' - AnOther Magazine
Financial Times interview with Hiroshi Sugimoto on "making some of the medium’s defining images"
Reviews of Yu Hong's 'Another One Bites the Dust' in Venice, presented by The Guggenheim Museum's Asian Art Initiative
International coverage for Wael Shawky's 'Drama 1882' for the Egypt Pavilion of La Biennale di Venezia 2024
.jpg)
