A Nigerian Sculptor Reflects on All the Land Contains – The New York Times
The 92-Year-Old Textile Alchemist Olga de Amaral Gets a Glittering Survey at the ICA Miami – Cultured Magazine
Spencer Finch and Lindsay Adams to create large-scale commissions for Obama Presidential Center – The Art Newspaper
Lisson Gallery Now Represents Dalton Paula, Painter of Portraits of Overlooked Black Brazilian Historical Figures – ARTnews
In a New London Show, Brazilian Artist Tunga’s Sculptures Challenge the Medium’s Possibilities – Artnet News
Under the Influence: Hiroshi Sugimoto – Artforum
Artist Oliver Lee Jackson: 'Right now humans are in a desperate spiritual place' – The Standard
From the Fire’s Remains, Kelly Akashi Sculpts Possibility – Hyperallergic
Inside the Former ‘Underworld’ Where Ai Weiwei Makes Art – T Magazine
Julian Opie’s Figures Walk Between Individuality and Universal Humanity – Observer
Wael Shawky Aims to Kill Drama in His Art – Frieze Magazine
At 92, Olga de Amaral Is Still Pushing Fiber Art Forward – Artsy
Ai Weiwei on free speech and the fragility of civilisation: ‘Democracy is a failed joke’ – Independent
Ai versus AI – Prospect Magazine
Breaking Lines: Futurism and the Origins of Experimental Poetry review – the beauty of art made by typewriter – The Observer
Hiroshi Sugimoto at Lisson Gallery – Artillery
‘Sean Scully: Duane Street, 1981-1983’ Review: Painting Outside the Lines – Wall Street Journal
Sean Scully: Duane Street, 1981–1983 – The Brooklyn Rail
What even is English painting, anyway? – Prospect Magazine
Dexter Dalwood: English Painting – ArtMonthly
Olga de Amaral — the 92-year-old artist who weaves with gold –The Times
'Olga de Amaral Renders Delicate Threads Emphatically Monumental' – Art in America
Yu Hong’s moment in the Western market has finally arrived – The Art Newspaper
What Is the Sound of a Teardrop? You Can Hear It at MoMA – The New York Times
Joanna Pousette-Dart: Centering – The Brooklyn Rail
'Seeds of change: Garrett Bradley in conversation with an anonymous adherent of Earthseed' - Artforum
Josh Kline: Social Media – The Brooklyn Rail
Josh Kline: “We’re in a moment where the art market has engulfed the art world” – Plaster Magazine
Joanna Pousette-Dart by Shirley Kaneda – BOMB Magazine
'Otobong Nkanga: What Are You Going to Do?' – ArtReview
