Olga de Amaral at Lisson Gallery – Contemporary Art Review LA
Tishan Hsu Is Working with AI for Paintings That Envision Human Bodies as ‘Liquid Soup’ – ARTnews
Masaomi Yasunaga Pushes the Limits of Ceramics, One Sculpture at a Time – W Magazine
Sean Scully – The Brooklyn Rail
Anish Kapoor: Early Works – The Brooklyn Rail
‘Everything is Sculptural’: Interview with Tony Cragg at Lisson Gallery, London – Whitehot Magazine
Jack Pierson in Miami: An Artist and a City in Transformation – The New York Times
‘This is fascist America’: Anish Kapoor may sue after border agents pose by his sculpture – The Guardian
Tishan Hsu | emergence – FLAUNT
Lisson's Alex Logsdail and Gary Waterston speak to the Financial Times about the sustainable gallery model
Anish Kapoor Isn't Done Reflecting – The New York Times
'Breast-kneaders, skeleton orgies and five-metre-high penises: Marina Abramović on her most daring show ever' – The Guardian
'Lucy Raven: A Controlled Explosion' – ArtReview
'Hugh Hayden’s Splintered Realities' – frieze
‘Sean Scully: The Albee Barn, Montauk’ Review: Abstractions of Light and Landscape – Wall Street Journal
Leiko Ikemura: Talk to the sky, seeking light – The Brooklyn Rail
‘It’s important to talk about these things’: exhibition highlights destroyed Middle Eastern heritage sites – The Guardian
Emotional Maps: Group Show at Lisson Gallery – Canvas
Artist Wael Shawky: ‘I believe that history is a human creation’ – Financial Times
"I see myself as an outsider. Everywhere. I am simply a stranger," says artist Leiko Ikemura – Neue Zürcher Zeitung
Finding My Blue Sky – The Brooklyn Rail
Carmen Herrera: The Paris Years, 1948–1953 – The Brooklyn Rail
Carolee Schneemann’s solo exhibition at Lisson – Whitehot Magazine
Nathalie Djurberg & Hans Berg ‘Who Can Resist a Crying Wolf?’ – Louisiana Channel
Dexter Dalwood: ‘If we want art history to change, we need to include artists in creating shows’ – The Art Newspaper
How Cory Arcangel Recovered a Late Artist’s Digital Legacy – The New Yorker
Tatsuo Miyajima: Modern Humans | In conversation with Emily Steer – Present Space
Hugh Hayden’s “Home Work” Dismantles the Architecture of the American Dream – Boston Art Review
Kelly Akashi – Artforum
NATHALIE DJURBERG AND HANS BERG | BECAUSE AVOIDANCE KNOWS NO BEDFELLOW – Flaunt Magazine
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