Richard Deacon
Richard Deacon’s voluptuous abstract forms have placed him at the forefront of British sculpture since the 1980s and, hugely influential, his works are visible in major public commissions around the world. His voracious appetite for material has seen him move between laminated wood, stainless steel, corrugated iron, polycarbonate, marble, clay, vinyl, foam and leather. As he explains: “Changing materials from one work to the next is a way of beginning again each time (and thus of finishing what had gone before)”. Deacon describes himself as a ‘fabricator’, emphasising the construction behind the finished object – although many of the works are indeed cast, modelled or carved by hand – and accordingly the logic of the fabrication is often exposed: sinuous curved forms might be bound by glue oozing between layers of wood or have screws and rivets protruding from sheets of steel, wearing their hearts on their sleeves. Such transparency highlights the reactive nature of the process: it is part of a two-way conversation between artist and material that transforms the workaday into something metaphorical. The idea of ‘fabrication’ also denotes making something up, of fiction rather than truth, and this knack for wordplay surfaces in Deacon’s titles, which might establish juxtapositions or wreak new meaning from familiar sayings or clichés – see Let’s not be Stupid (1991), No Stone Unturned (1999), Water Under the Bridge (2008) or Shiver My Timbers (2016).
Richard Deacon was born in Bangor, Wales, UK in 1949 and lives and works in London, UK. He has a BA from St Martin’s School of Art, London, UK (1972) and an MA in Environmental Media from the Royal College of Art, London, UK (1977). Solo exhibitions include Kula Gallery and the Museum of Fine Arts, Split, Croatia (2021); Middelheim Museum, Antwerp, Belgium (2017); San Diego Museum of Art, San Diego, CA, USA (2017); Prague City Gallery, Prague, Czech Republic (2017); Museum Folkwang, Essen, Germany (2016), Kunstmuseum Winterthur, Switzerland (2015); Tate Britain, London, UK (2014); Sprengel Museum, Hannover, Germany (2011); Musée de la Ville de Strasbourg, France (2010); Portland Art Museum, Oregon, USA (2008); PS1 Contemporary Art Center, New York, USA (2001); MACCSI, Caracas, Venezuela (1996); Whitechapel Art Gallery, London, UK (1989) and Museum of Contemporary Art, Los Angeles, USA (1988). He represented Wales at the Venice Biennale, Italy (2007) and has participated in the Venice Architecture Biennale, Italy (2012), Glasgow International, UK (2006) and documenta 9, Kassel, Germany (1992). He won the Turner Prize in 1987 and the Robert Jakobsen Prize, Museum Wurth, Kunzelsau, Germany in 1995. He was awarded the Chevalier de l’Ordre des Arts et Lettres by the Ministry of Culture, France in 1996 and made a CBE in 1999.
Exhibitions
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Richard Deacon: Harbour
29 October 2022 – 14 January 2023
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Richard Deacon: Deep State
20 November 2019 – 29 February 2020
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Richard Deacon: Flat Earth
17 March – 29 April 2016
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Richard Deacon: Association
11 May – 23 June 2012
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Richard Deacon: Range
30 November 2005 – 28 January 2006
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Richard Deacon
14 March – 27 April 2002
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Richard Deacon: Sculpture and Drawings
4 June – 4 September 1999
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Richard Deacon and Thomas Schütte: Them an...
5 May – 1 July 1995
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Richard Deacon: Foursome
31 January – 14 March 1992
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Richard Deacon: Prints and Drawings
18 January – 13 February 1988
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Richard Deacon
27 March – 25 April 1987
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Richard Deacon: Sculpture
2 February – 26 February 1983