Lisson Gallery is delighted to announce Spencer Finch’s first major solo presentation in
London. Finch’s work entwines a scientific methodology and a poetic sensibility. Using a
wide range of media including painting, drawing, photography and installations using
fluorescent lights with coloured filters, Finch distills his views of the world into glowing
abstract colour. Each work has its origin in Finch's own observation of a particular time
or place with a lingering historical resonance, such as Troy in Eos (Dawn, Troy, 10/27/02)
or Paris/Texas (France at dusk on January 8, 2003). Lux and Lumen will include new
installations, a video work and works on paper.
Read moreFor his exhibition at Lisson Gallery Finch will create two new installations, resulting from
a residency in New Zealand. One of the works will transform London daylight through
the use of coloured filters. Affixed directly to the window of the gallery, the filters will
recreate the light of the southern hemisphere.
Lux and Lumen will also present a second major new installation that will use solar
panels to transform sunlight into moonlight. The collected sunlight will be converted into
energy to power light bulbs. These glowing bulbs will evoke moonlight on a June
evening in London.
Also on show will be West (Sunset in my motel room, Monument Valley, February 26,
2007, 5:36 - 6:06 pm) (2007). This piece, with light projected from nine video monitors,
replicates the waning sunset. The monitors will play a selection of stills from John Ford's
1956 epic Western The Searchers. The stills will change once a minute over a 30-minute
period mimicking the colour and intensity of the fading twilight Finch precisely measured
in the Monument Valley Desert, where The Searchers was shot.
Spencer Finch was born in 1962 and lives and works in Brooklyn, New York. He studied
at Rhode Island School of Design, Hamilton College in New York and Doshisha
University in Kyoto and has exhibited extensively internationally. Finch had a major solo
exhibition What Time Is It On The Sun? at MASS MoCA, Massachusetts in 2007 which
was accompanied by a monograph with essays by Susan Cross and Daniel Birnbaum. He
will have a large solo exhibition at Dundee Contemporary Arts Centre from 24
October 2008 – 4 January 2009 and his public art project with Creative Time The River
that Flows Both Ways for the High Line in New York City will be on view from autumn
2008-9. Finch’s work is held in important museum collections including the Hirshhorn
Museum and Sculpture Garden, Washington DC; the High Museum of Art, Atlanta;
Museum für Moderne Kunst, Frankfurt am Main; MASS MoCA, Massachusetts and the
Solomon R. Guggenheim Museum, New York.